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Whatever the opposite of troubled is, that’s Keeley.īecause Temple has so rarely done comedy, she learned it on “Ted Lasso,” beat by beat, scene by scene. “Ted Lasso” instead pushes Keeley to believe that she has value beyond her body, and then rewards that belief. (Her lingerie? A pink set patterned with iridescent hearts.) Though she found almost fame as a topless model, she now mostly keeps her tops on. Unlike many of Temple’s previous characters, Keeley is already comfortable in her sexuality. Part of me is less daunted about taking my clothes off in character and being caught on film in that way than I am in real life.” “It’s a choice that I wouldn’t change,” she said. Temple doesn’t feel ashamed of any sex scene in any film she has made. “She’s a remarkable truth digger,” Hahn wrote in an email.

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Kathryn Hahn co-starred with her in the 2013 film “Afternoon Delight.” (Temple played McKenna, an exotic dancer, with Hahn as the not-so-exotic homemaker who takes her in.) Hahn noticed how, as McKenna, Temple could show both a woman in full command of her sexuality and the vulnerable girl underneath. Last year, promoting “Little Birds,” she struck a blasé tone for another Guardian writer: “I don’t really get nervous for a sex scene. Woo hoo!” She confessed to the Independent that she buys lingerie for each character she plays and in 2016 shot a campaign for the luxury intimates brand Agent Provocateur. In interviews, she has sometimes embraced that persona, telling that “bags of sexuality” Guardian writer: “I’ve finally hit puberty on camera. Or maybe those roles gravitated toward her. “She would say, ‘I have so much more I want to tell a camera,’” Passon said.įrom her early films, Temple has gravitated toward sexualized roles. She has often told Temple that she would be a good director herself, but Temple never seemed interested.

Stacie Passon, who directed Temple in “Little Birds,” the Starz adaptation of Anaïs Nin’s erotic short stories, has noticed her deep interest in human behavior and clear cinematic intelligence. “But I sure as hell have learned a lot from these extraordinary female characters.” “I would have died 15 times over by now,” she said. People sometimes ask her if she is a method actor. Each lost girl teaches her a little more about herself, even as she tries to keep them at a slight distance. “I’ve never been afraid to play a character that is going through a transition or going through something that is complicated, and something that even I don’t know the answers to,” she said. Her characters are often bent on self-discovery, and Temple makes that discovery seem imperative and risky. Three years later, the Guardian called her “an English rose with dewy pink cheeks and bags of sexuality waiting to come out.” (Bags?) In 2013, she won a BAFTA Rising Star award. A part in the film “Atonement” soon followed. Oh God no.’”īut her mother took her to an open call for the film “Notes on a Scandal.” She booked the role. “They were both like: ‘Really? Are you sure? Please no. “I can learn about myself and learn about all different walks of life, and all different perspectives and all different heartbreaks,” she explained to them. When she was 14, she told her parents that she just had to be an actress. “I remember thinking that I wanted to be part of that.” “That’s the first memory I have of seeing a film and believing in magic,” she said. She can vividly recall catching chickenpox when she was almost 4 years old, and finding solace only in a laser-disc copy of Jean Cocteau’s “Beauty and the Beast.” The producers had struggled to cast Keeley.įor Temple, the daughter of the experimental film director Julien Temple and the producer Amanda Pirie, acting had always felt inevitable. Brendan Hunt, a creator of “ Ted Lasso,” called it “very, very dude-heavy.” But it has two superb parts for women: Rebecca Walton, the team’s owner, and Keeley Jones, the girlfriend of a star player. “Ted Lasso,” a sitcom about an American football coach sent to manage an English Premier League soccer club, is a mostly male show. “I was like, Oh God, this is going to be awkward,” Temple, 32, said, lounging against a furry pillow on the porch of her Los Angeles home during a recent video call. So when Sudeikis texted her regarding a role on “ Ted Lasso,” the extravagantly nice, ultra Emmy-nominated sitcom that begins its second season on Apple TV+ on Friday, she suspected that he had her confused with someone else.

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It can be downloaded on both platforms Android and iOS.When Juno Temple first heard from Jason Sudeikis, she assumed that he had messaged the wrong actress.įor a decade and a half, Temple had played a parade of troubled and troubling young women in films like “Atonement,” “Killer Joe” and “Afternoon Delight.” She had almost never done a comedy. In our site you will be able to find Pixwords Scenes Answers, Cheats and Solutions for all levels.

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